Writers of the West Indies
11:43 am in Black Literature, Caribbean Writers, West Indian Writers by jennifer-ciotta
We’ve celebrated African American and African writers, so now it’s time to look to the Caribbean. Usually, people think of palm trees, flawless beaches, aqua waters and beach-side resorts. The Caribbean islands certainly have all of that, but they also hold a great literary tradition.
I was introduced to Caribbean writers during my semester abroad at the University of the West Indies or UWI (pronounced “you-ee”) in Cave Hill, Barbados in 1999. I took a class with a flaming, red-haired, white Jamaican professor. I thought it funny, a little white woman with a huge Jamaican accent resounding throughout the lecture hall. It was she who introduced me to one of my favorite books of all time: Annie John by Jamaica Kincaid, an author from Antigua.
Several years later in Boston, while taking a grad class at Harvard, another professor introduced me to V.S. Naipaul, a courageous writer from Trinidad. I had been to Trinidad several times, staying with a Trini family, so I knew firsthand the racial mixture Naipaul speaks of. Trinis have ethnic roots from Africa, India and native Carib tribes, making them a culture of physically stunning people. Naipaul, an East Indian Trini himself, traveled to India to discover his roots and courageously wrote about how disgusted he was with the country.
Derek Walcott, a poet from St. Lucia who recently won the T.S. Eliot Prize for Poetry, is also a controversial figure. His reputation is marred by accusations of sexual harassment from female students.
So whichever author you chose to read, or if you choose to read all of them, remember the Caribbean is a magical and literary place.
Please enjoy:
Jamaica Kincaid & Annie John: A Childhood Cut Short
Of course, this is Black History Month at LT, and we’ve been honoring African American writers. But we’d like to change it up a bit and honor a literary tradition and writer that come from the exquisite continent of Africa. Since we live in a global world, we’ve all seen documentaries on Africa–the heartache mixed with hope. The vivid costumes, face paint and body piercings of tribal life. The trendy fashion industry, the extravagant safaris, the golden pyramids …
There’s a part of black history that no one likes to talk about; however, without this history we would not have insightful literary black voices, narratives and stories passed down from generation to generation. We’re talking about that dark time in American history known as slavery.
He’s the guy wearing the fedora. He’s the guy who looks black, but actually comes from an extensive history of Jewish Eastern Europeans. He’s also the guy who explores American black culture in his mystery series with star detective Easy Rawlins.
Harlem is a place that is so closely imbued in the hearts of Americans everywhere. Even tourists from around the world come to see the streets of Harlem, a once Mecca to the black artist, including the black writer. What arose from the Harlem Renaissance was a beautiful, literary tradition of African American stories, storytelling and history.
As a black woman who was coming of age in the early part of the 20th century, it was hard for Nella Larsen to understand where she fit. Her mother was of Danish descent, a white woman, and her biological father was of West Indian descent. If you think about Larsen’s unusual background, you realize how difficult it must have been for Larsen to be of mixed race in the early 20th century.
Who embodies the Harlem Renaissance more than any other writer? Langston Hughes, of course. This black poet created not only inspirational poetry, but poetry that is cool. Langston’s poem “Harlem” (more popularly known as “A Dream Deferred”) has been made into a Broadway stage play and a feature film. Both adaptions have starred major black entertainers such as Phylicia Rashad, Sean “P. Diddy” Combs, Sanaa Lathan and Audra McDonald, thus carrying on the Harlem Renaissance tradition.
Black History Month continues with Faith Ringgold, renown artist and author of the children’s classic Tar Beach. Ringgold grew up in the Depression era in Harlem in the 1930s. As a young girl, she saw the injustices of money and race firsthand during the latter years of the Harlem Renaissance.